Bila sam Vam savetovala da, ako pravite orgonite u ove zimske dane, da pazite da ne bude hladna smola, kalup, strugotina i prostorija u kojoj biste ih pravili. E, sada želim da Vam saopštim prednosti toga :).
Ako mislite da pravite orgonite u hladnoj prostoriji, smola se neće stegnuti. Sve to, tako hladno, unesite negde unutra, pored grejnog tela (ja ih poređam na radijator sobe koju ne koristim i otvorim prozor). Smola će se POLAKO stezati, za dva ili tri dana, nema opasnosti od pucanja, svaki orgonit će ispasti iz kalupa savršen, i, spoljna površina će im biti savršeno glatka i sjajna! Nakon toga ih nemojte dirati još nekoliko dana, jer će se lepiti, ali posle toga će biti SAVRŠENI ♥ Jedino...trebaće vam nekoliko dana više, ali isplati se! Srećno!
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What is painting?Up to now I was thinking that painting is what I want to do...
but no... Now, on a painting colour is not enough, line is not enough, texture is not enough... Forbid people to touch painting is a crime... By touching you can fill energy, lights and darkness... Painting is tree dimensional... Painting for touching... Sculpture? Sculpture is limited by volume and motive ... Painting, shouldn't be limited by anything... needs to have third dimension.. For touching. I am really intrigued where drawing stops and where painting begins. I am truing to paint with my pencil and draw with my colours and brushes.
When I draw bodies I do not need the faces...
Someone asked me why most of my nudes do not have faces... They do not need the faces. If the body doesn't tell you the story, than face will not help. And out of the whole body I like backs the most . For me backs tell you more stories than face expressions. They tell you all life story as well as all secrets. They tell you all what the face try to hide. When i draw faces, I do not need the body. Every single line on a face is important. There is a reason why that line is on the face. Drawing face ad body for me has a meaning only if they tell the opposite stories... like peaceful dead body with a grim on a face... than the whole lots of questions are raised. Or the opposite... Tense body with peaceful smile... The hardest thing I found when I copy motives is to copy myself.
I manage to get similar drawings as Matisse, Picasso or Van Gogh, but never even close when I try to copy one of my old drawings. The hardest thing for me is to sell my work. Something you really like and love is priceless. omething. I rather give away my work than sell... I am always surprised with an outcome under my charcoal or paint brush.
While I am trying to find the right line, all of a sudden a shoulder or a knee or a nipple appears, poking me with reality... then I know that my line is not only a line on a paper, but transfer of a character on a paper. If a drawing doesn't tell me a story, if I cannot see movement on a paper, I go on a next peace of art. The drawing I really love I can watch for hours and hours, and I will always find something new and more exciting that I missed first time... that is the beauty of art. The drawings I love the most are the simplest ones, and I admire every artist who achieved to transfer moment with minimum of lines. My idols are of course Matisse and Picasso. I think that every artist dream to be inspirations for someone else. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
January 2012
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